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Elizabeth Treat recently received praise for her vocal acrobatics and comedic acting as Clorinda in Donizetti's La Cenerentola with the Washington Opera Society, at the Embassy of France in May. Fall 2017 brings her back to the New York stage, as the titular character in Flotow's Martha with Utopia Opera.

Previous appearances in Washington include a December 2016 concert of Donizetti’s La Fille du Régiment at the Embassy of Indonesia, a 2015 gala at the U.S. Embassy of the Republic of Poland, Queen of the Night (right) in Die Zauberflöte at the Colombian Embassy, and a triumphant Washington debut as Rosina in Il Barbiere di Siviglia (below) at the O.A.S. Hall of the Americas with Opera Camerata, led by Metropolitan Opera conductor Gregory Buchalter.

Last December, Elizabeth reprised her acclaimed Rosina in Il Barbiere di Siviglia at a special holiday opera concert in historic Van Vleck House with Opera Theatre of Montclair. This followed her February 2016 company debut as Konstanze in Mozart's Die Entführung aus dem Serail.

Other recent projects include vocal jazz collaboration with long time pianist/arranger for Rosemary Clooney, John Oddo; as well as a recording project with pop sensation Gotye, for a retrospective on electronic music legend Jean Jacques Perry.

Elizabeth has reprised her popular Queen of the Night with the Light Opera of New Jersey, Regina Opera, Amore Opera, One World Symphony, New York Lyric Opera, and Intermezzo Opera with the Charlemagne Orchestra in Belgium. She has also sung principal roles in several U.S. premieres, including Susanna in Mercadante’s I due Figaro, Isabella in Donizetti’s Olivo e Pasquale, and Queen of the Night in Peter von Winter's long lost sequel to The Magic Flute, Das Labyrinth.

In spring 2013, Elizabeth performed the national anthem at a star-studded groundbreaking ceremony for a new national tennis center in New York City’s Crotona Park. Other concert highlights include soprano soloist in Faure’s Requiem in central Illinois, a summer musicale with New Jersey’s Pacific Encore Performances, and an opera dinner concert series in collaboration with TasteMunich in Germany.

Invited on occasion to perform popular standards and showtunes at Bemelman’s Bar in New York’s famed Carlyle Hotel with the fantastic Chris Gillespie, Elizabeth is a life-long lover of the Great American Songbook, having performed since early childhood in American musicals before discovering opera. Elizabeth holds performance degrees in both piano and voice, with highest honors. She lives in New York and studies voice with Gerald Martin Moore.

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